99% of the time, I work in Photoshop the way I used to work in the darkroom--I manipulate contrast and dynamic range with layer masks instead of paper grades. I do my dodging and burning on adjustment layers with a trackball (I must admit that I do miss waving my hands above the print as though I were performing ancient magics...). Every so often, however, I stray from the pure and unpolluted path and lose myself in the creative potential of the program.
This Morpho butterfly was photographed in bright noonday sunlight in Costa Rica. There must have been a 20 stop contrast range and I worked for hours, trying unsuccessfuly to create a reasonable image. Not even PhotoMatix (an HDR program) could salvage this one. So I said, "Let's ignore reality and just play".
And there you have it...
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