I don’t think of my photographs as being “minimalist” necessarily, but I can’t deny that I look for simplicity. Two of my earliest influences were Japanese ink block artists Hiroshige and Hokusai.
What I learned:
- Not every square millimeter of image space needs to be filled.
- Space that contains nothing may make a significant contribution to the impact of the image; it sets off the subject as a beautiful setting sets off a diamond. It gives the subject a space to move into, thus aiding in establishing a story— establishing potential for future movement.
- Negative space is not the same as empty space. Empty space is merely empty space--it contains nothing, contributes nothing. Negative space has no content but offers possibility, and contains potential.
Back to haiku:
While my son Ben was living in Washington D.C., we went to an exposition of prints by Hokusai at the Smithsonian. I recall an image which showed a meticulously drawn branch, leaves, and flowers, but nowhere to be seen were the birds after which the painting was named. Perhaps the birds were sitting on the branch when he began the painting; perhaps he could simply hear their songs as he was painting; perhaps he simply imagined that branch as an ideal roosting place for the birds; perhaps…
See what I mean? Haiku photographs are all about possibilities.
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